(21:27) Washed Hands - Lachine Canal (I'm On My Way (12:52) Washed Out - You'll See It (Small Black remix) The bloke who made the mix pretty much just picked the songs he wanted and then auto mashed them. And if your reading this in china 'ni hao' ok so enough of the shit talk. I ripped this from a site and as im new to the post music i like scene im going to post it anyway i mean how many people read this all 5 of you? soooo it might spread to china in about 2900 years. Not that im saying that theres anything wrong with Jupiter. Katie Dey is a brilliant musician.It took some digging to find a good mix that you can sit relax and not end up with having to lip read for the next 10 minutes because your ears have been blown to Jupiter. I love listening to this album and trying to figure out the sounds. The digitized pitch shifter is layered in “All” in this beautiful, almost uncanny way, so that the moments of just Katie’s voice feel so raw and intimate. The moments of harshness aren’t purely harsh, because they’re beautiful, too. The transitions on this album are genius-it’s truly an “album” and not a collection of songs, where the order matters and feels so deliberate. Her signature deeply distorted electronic pop is so identifiable and so unequivocally her sound. Last but not least, I often come back to Flood Network (and Katie’s whole discography). It feels like it builds and then completely changes directions.įlood network by katie dey Katie Dey, Flood Network I love the ride that the song “Love Knot” takes me on. And each song feels like a microcosm of that, the way they build into themselves and stand alone. This album is definitely one that feels like its own universe-everything is so cohesive, including the artwork and its relationship to the music. I love the way this album experiments with live performance instruments, digital instruments, and sampling, and how the three have a chaotic and beautiful relationship. He inspires me as a musician because of how much variance there is in his body of work. I have followed Spencer Radcliffe’s music for so long, for the longer part of a decade at this point. The combination of despair and humor is part of what makes it so moving to me, from start to finish.ĭays Drift By by Blithe Field Blithe Field, Days Drift Byĭays Drift By was one of my favorite records from last year. Even in its crushing moments, this album has so much personality and wit and even a slight sense of humor. In a song like “Little More Time,” Mat is, as always, able to convey something universal without once feeling cliché-in this case, the longing to see a loved one, the painful consequences of time. It’s a stark and reflective collection of songs, and to me it perfectly encapsulates the feeling of isolation. I am always moved by the themes of redemption and by the idea of understanding oneself through the lens of your family. I want to start exploring the catalogue with one of my all-time favorite records, My First Love Mends My Final Days. My first love mends my final days by mathew lee cothran Mathew Lee Cothran, My First Love Mends My Final Days
#Blithe field genius full
You can order it here, and stream it here, and for a full list of Joy Void’s catalog, visit their site here. Going into a bit more detail on a few of these titles below, her familiarity with each record feels as intimate as the music she makes. “I’m lucky to share a roster comprised entirely of artists that I really respect and regularly listen to, which I know is incredibly rare,” White says of the label’s modest discography. Even when collaborating with Ray on a handful of these projects, each release expresses a comfort in loneliness unique to the label’s catalog, the minimalist guitar and hushed vocals of Virtual Heaven being no exception. “Every interaction would feel sort of high stakes in a way that was kind of silly and not rational, but I’d also sort of let myself enjoy it.”Īlthough she may have felt alone in the moment, the resulting album of gauzy pop songs fits snuggly among the introverted bedroom sounds of her label Joy Void, which boasts a roster mostly comprised of different projects from Sam Ray ( American Pleasure Club, Julia Brown) and Mathew Lee Cothran (Coma Cinema, Elvis Depressedly), as well as Horse Jumper of Love’s debut and a release from Spencer Radcliffe’s Blithe Field project. “I found myself fantasizing and romanticizing, which is easy to do when you’re by yourself all the time,” she’s said of the experience. Having recently moved to North Carolina to study poetry, Caroline White found herself alone in a new city with more than enough time on her hands to craft the introspective pop songs that comprise her latest record as Infinity Crush, Virtual Heaven.
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