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1. #ADOBE AFTER EFFECTS CS5 SLOW MOTION MOVIE#
2. #ADOBE AFTER EFFECTS CS5 SLOW MOTION DRIVER#
3. #ADOBE AFTER EFFECTS CS5 SLOW MOTION PRO#

As you move the keyframe up or down in the value graph, you adjust which frame of the video is set to play at the current time. Each time you add a Time Remap keyframe, you create another point at which you can change the speed or direction of playback. These initial Time Remap keyframes have vertical time values equal to their horizontal position on the timeline.īy setting additional Time Remap keyframes, you can create complex motion results. When you enable time remapping for a layer, After Effects adds a Time Remap keyframe at the start and end points of the layer. Each Time Remap keyframe has a time value associated with it that corresponds to a specific frame in the layer this value is represented vertically on the Time Remap value graph.

#ADOBE AFTER EFFECTS CS5 SLOW MOTION MOVIE#

When remapping time in the Graph Editor, use the values represented in the Time Remap graph to determine and control which frame of the movie plays at which point in time.

#ADOBE AFTER EFFECTS CS5 SLOW MOTION DRIVER#

#ADOBE AFTER EFFECTS CS5 SLOW MOTION PRO#

Export an After Effects project as an Adobe Premiere Pro project.Preview changes to 3D designs real time with the Real-Time Engine.Construct VR environments in After Effects.Use expressions to edit and access text properties.Syntax differences between the JavaScript and Legacy ExtendScript expression engines.Compositing and transparency overview and resources.Setting, selecting, and deleting keyframes.Animating Sketch and Capture shapes using After Effects.Managing and animating shape paths and masks.Animation, keyframing, motion tracking, and keying.Cameras, lights, and points of interest.Remove objects from your videos with the Content-Aware Fill panel.Use Offset Paths shape effect to alter shapes.Shape attributes, paint operations, and path operations for shape layers.Paint tools: Brush, Clone Stamp, and Eraser.Overview of shape layers, paths, and vector graphics.Replace images and videos in Motion Graphics templates and Essential Properties.Work with Essential Properties to create Motion Graphics templates.Use expressions to create drop-down lists in Motion Graphics templates.Work with Motion Graphics templates in After Effects.Examples and resources for text animation.Formatting paragraphs and the Paragraph panel.Formatting characters and the Character panel.Importing and interpreting footage items.Importing and interpreting video and audio.Importing from After Effects and Adobe Premiere Pro.View detailed performance information with the Composition Profiler.Precomposing, nesting, and pre-rendering.Shooting at high frame rate gives you better slow motion when played back at normal frame rates but I can say that in my experience every person that I have ever known that was trying to do a high frame rate project did not understand video, playback or projection and ended up rendering at a standard frame rate for delivery. Trying to playback 100 fps video on a computer screen with a normal refresh rate (60 hz) is a waste of time. Unless you have specific playback hardware and display systems there is no advantage. They use the high frame rate footage from some of the cameras on the field for better slow mo playback. Professional sports may be shot by some cameras at high frame rates but it is broadcast just like everything else. The point is that if you are going to watch video on a computer 29.97 will remove most motion artifacts like judder, 60 (59.97) will eliminate them almost completely, and most folks can see them just fine. High frame rate is touted by gamers and game manufacturers but for video the eye can't tell the difference at anything above about 60 according do research done by Douglas Trumbull,‌ though he is touting 120 fps 3D using specialized equipment as a possible new experience. Why do you want to playback at such a high frame rate? You might think that is a dumb question but it's not.